With Amazon as our new home, HDR was part of their delivery spec, so those tests we had done previously had prepared us for how to think in HDR. But Naren and I were very excited by those tests and hoped that one day we would go HDR. “We did test HDR grading a couple seasons ago with Joanne at Deluxe, but it was not mandated by the broadcaster at the time, so we didn’t move forward. “Moving into HDR for Season 4 of our show was something Naren and I have wanted to do for a couple of years,” says Benning. Further distinguishing Ilus from other environments, production chose to display scenes on or above Ilus in a 2.39 aspect ratio, while those featuring Earth and Mars remained in a 16:9 format. Deluxe Toronto senior colorist Joanne Rourke then worked with Benning, VFX supervisor Bret Culp, showrunner Naren Shankar and series regular Breck Eisner to develop looks that would convey the location’s uninviting and forlorn nature, keeping the overall look desaturated and removing color from the vegetation. In preparation for production, cinematographer Jeremy Benning, CSC, shot anamorphic test footage at a quarry that would serve as the filming stand-in for the season’s new alien planet, Ilus. Deluxe Toronto handled end-to-end post services, including online editorial, sound remixing and color grading. The fourth season of the sci-fi series The Expanse was finished in HDR for the first time streaming via Amazon Prime Video.
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